Justine Jablonska talks to British journalist Bożena Andre about Andre’s new novel, With Blood and Scars, in which Andre takes on that very difficult challenge: combining the personal and the historical in one story. Not easy, when for so long the world refused to acknowledge the historical.
“When enemies agree to sit at the table, push away anger and desire for revenge, they find a way to compromise,” IPN historian Przemysław Gasztold-Seń tells Bobbie Traut. Democracy is always a work in progress, and Gasztold-Seń remains optimistic.
When she was eleven, Joanna Trzeciak sent Szymborska a poem, beginning a lifelong correspondence. To meet Różewicz, she plotted an accidental meeting in a park. A true lover of poetry obviously doesn’t just leave things to chance.
“I don’t worry about science redefining the value of a human being, but I am concerned about technology and the market place doing that,” says Nobel Prize-winner Roald Hoffmann – scientist, playwright and poet.
Justine Jablonska talks to University of Warsaw sexologist Dr. Zbigniew Izdebski about changing attitudes to sex and gender igniting a bizarre reaction in some circles to a foreign word they don’t understand.
The singer/songwriter of Kommander’s Car – Katy Carr – had not met the “Kommander” until after her song about him became a hit. It was a thrill when she finally did. That said, her spiritus movens was always her Polish/British identity, and the history behind that. Justine Jablonska talks to Katy Carr.
In a conversation with Justine Jablonska, the multi-talented actor/writer/director speaks of the honor and responsibility of playing Witold Pilecki, a hero whose story could not be suppressed.