Pushing the boundaries for the past six decades, Bogusław Schaeffer was still blazing the way at the Edinburgh Fringe last year with “one of the best productions since the festival was launched several dozen years ago.” Magda Romanska profiles a Renaissance man.
2011 Vol. 3 No. 4 — Winter
The director of In Darkness speaks about films, music, identity, and the challenge of making a complex story simple, but not simplistic.
Polish Happy Hour in DC has a community-building aspect to it but it’s an event without speeches. Co-founder Marcin Zmudzki, who also started the Polish Global Village mailing list, stresses the spontaneity and inclusiveness. Justine Jablonska attended on assignment – but is going back for the sheer pleasure of it.
Stories are like literary genetics, essential to one’s identity. But how does a storyteller rise above competing voices, break through non-stop background noise, and seduce an audience? Justine Jablonska looks at the issues and offers some possibilities.
…there’s a symmetry between the Polish-Lithuanian Commonwealth and the French-English multicultural country I’ve grown up in… and it seems fitting that Polish and Canadian troops often fought side by side in WWII. That’s a good place to start rebuilding a sense of who I am, says Andrew Borkowski.
Helena Modjeska, a great 19th century Polish actress who came to the US at age 30, learned enough English in six months to play Ophelia, except for the mad scene which was too difficult. So she played that in Polish and wowed them. Aren’t all madwomen incoherent anyway? Margaret Araneo reviews Beth Holmgren’s great book about the very talented, and very independent, Madame Modjeska.
Powerful, peaceful and quintessentially Polish: Solidarity. Canadian author Heather Kirk spotlights the many facets of a world-changing revolution that killed “precisely no one.”
A spellbinding performance by a master storyteller.