A tsunami of honours fell upon Bill Johnston in 2012. CR surfs on that giant wave with a few observations of its own, along with some from Tamara Trojanowska and from students who will never forget him.
2013 Vol. 5 No. 1 — Spring
During his brief stays in Warsaw and Kraków, American artist Brendan Ciecko came across interwar Polish typography – and that led him to discover the elegance and beauty of pre-WWII Poland. We can hardly wait for him to make these typefaces available to us.
“Bill Johnston… was from another world. When many of us were dreaming about leaving Poland, here he was, settling right in!” – So recalls Tamara Trojanowska of her early encounter with an English teacher who mastered the Polish language.
The singer/songwriter of Kommander’s Car – Katy Carr – had not met the “Kommander” until after her song about him became a hit. It was a thrill when she finally did. That said, her spiritus movens was always her Polish/British identity, and the history behind that. Justine Jablonska talks to Katy Carr.
Created by Stalin, Embraced by Emigrants? Mazowsze, Śląsk and the Polish Folk Dance Movement in America
Mazowsze is arguably the most beautiful folk dance troupe in the world. Maja Trochimczyk poses the question: Does authenticity matter?
Peter Hetheringon’s mammoth biography brings Piłsudski to life on its pages, says reviewer Patrice Dabrowski. And while he’s at it, he provides the reader with a brief but thorough and lively history of Poland, as only a non-Pole can.
Jan Karski is a hero not just for our times but for all times, says Irene Tomaszewski as she recalls her first meeting with the modest hero. He represents the best in humanity and the collective will of a nation that would not submit.
Michał Kasprzak’s brilliant review cuts to the essence of The Auschwitz Volunteer.