Stone Upon Stone
When the ideology is stripped away, say reviewer Joanna Szupinska about Wiesław Myśliwski’s Stone Upon Stone, all that is left is love for life and respect for the earth. Could one ask for anything more?
Articles written by: Joanna Szupinska-Myers
Joanna Szupinska-Myers is the Curator of Exhibitions at California Museum of Photography, part of the ARTSblock at University of California, Riverside.
2013 Vol. 5 No. 1 — Spring / Books
2012 vol. 4 no. 1 — Spring / Films
Polish Movie Nite presents Julian Myers: Introduction to Possession
Polish cinema, viewed and reviewed by Americans, leads them to a better understanding of “the complexities of contemporary Poland.”
2012 vol. 4 no. 1 — Spring / Films
Polish Movie Nite presents Marcella Faustini: An Introduction to The Theatre of Tadeusz Kantor
Polish cinema, viewed and reviewed by Americans, leads them to a better understanding of “the complexities of contemporary Poland.”
2011 Vol. 3 No. 3 — Fall / Films
Polish Movie Nite presents Susannah Magers & In The Name of Their Mothers
Polish Movie Nite: Polish cinema, viewed and reviewed by Americans, leads them to a better understanding of “the complexities of contemporary Poland.”
2011 Vol. 3 No. 3 — Fall / Films
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Developed during Polish Movie Nite, a series of film screenings at The Polish Club in San Francisco, these texts aim to introduce a wide variety of films that might be classified “Polish.”
2011 Vol 3. No. 2 — Summer / Books
An Invisible Rope – Portraits of Czesław Miłosz
Friends, colleagues, students, translators, celebrate the life of the great poet, a man defined by his language.
2011 Vol 3. No. 2 — Summer / Films
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Polish Movie Nite: Polish cinema, viewed and reviewed by Americans, leads them to a better understanding of “the complexities of contemporary Poland.”
2011 Vol 3. No. 2 — Summer / Films
Polish Movie Nite presents Erica Levin: Kieślowski’s Camera Buff
Polish Movie Nite: Polish cinema, viewed and reviewed by Americans, leads them to a better understanding of “the complexities of contemporary Poland.”
2010 Vol. 2 No. 2 — Summer / Features
The Political and Social Roots of the Łódź Biennale
Joanna Szupinska recounts the wonderful moment in history in 1981 that united workers, students and artists to create a multi-layered exhibition and proposed an altogether new social and political reality. The values of that group continue to influence the mission of the Lodz Biennale.
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