Tragedy as Art: Miasto 44
Sometimes art can touch what intellectual debates only circle, but that touch can cause searing pain.
Sometimes art can touch what intellectual debates only circle, but that touch can cause searing pain.
Talented, gutsy and successful – and each one with a story that rates a movie of its own. This is a book you won’t be able to put down.
Hollywood has been a talent magnet for a long time and one of the first superstars was Poland’s Pola Negri. Justine Jablonska reviews her story, written by Mariusz Kotowski.
Paweł Pawlikowski’s starkly beautiful black and white film, Ida, is one of the best of 2013. But reviewer Jodi Greig asks: can aesthetics blind one to the deeper meaning?
“Masterpieces of Polish Cinema,” organized and restored by Martin Scorsese’s Film Foundation and curated by the great filmmaker himself, is the largest collection of classical Polish cinema to date.
Don Fredericksen reviews Krzysztof Zanussi’s brilliant film, Camouflage.
A new documentary series from Sky Vision and the History Channel casts a long overdue spotlight on Poland’s impressive contribution to WWII. It’s entertaining, writes reviewer Daniel Ford, and enough to send a viewer looking for more.
Małgorzata Dzieduszycka asks: What is really important in the life of a nation? Andrzej Wajda’s final work in his magisterial triptych helps find the answer.
A grainy lens, drab colours, grim content, and yet, “Róża is one of the prettiest films I’ve seen in some time,” says reviewer Jodi Greig. It’s the award-winning genius of director Wojciech Smarzowski.
Jerzy Kukuczka climbed the Himalayan crown – all 14 of the 8000-meter peaks – discovering new routes and ascents along the way, because as he said: “I like very much taking the undiscovered paths.”
Polish cinema, viewed and reviewed by Americans, leads them to a better understanding of “the complexities of contemporary Poland.”
Polish cinema, viewed and reviewed by Americans, leads them to a better understanding of “the complexities of contemporary Poland.”
The director of In Darkness speaks about films, music, identity, and the challenge of making a complex story simple, but not simplistic.
Agnieszka Holland’s latest film is dedicated to Marek Edleman, the legendary leader of the Warsaw Ghetto Uprising and evokes passages of his book: “And there was love, too, in the ghetto…”