Post Tagged with: "Warsaw"

Poland As An Ally: WWII Photo Essay
2015 Vol. 7 No. 3 — Fall / Features

Poland As An Ally: WWII Photo Essay

From Norway to Africa, from Russia to the Atlantic, in the air and on the sea, the Polish forces were there for their allies. Justine Jablonska pays tribute to the bravest and most loyal men and women of WWII.

On the Eve of Freedom
2015 Vol. 7 No. 3 — Fall / Features

On the Eve of Freedom

In a 1988 newscast, Stephanie Kraft heard the hejnał played from the tower of the Mariacki Church and learned that Poles had been doing so all through the communist era. Intrigued by these determined and stubborn people, she chose Poland as her destination for a journalist junket. She has returned every year since.

Mieczysław Weinberg’s Opera The Passenger: On Memory and Forgetting
2015 Vol. 7 No. 1 — Spring / Music

Mieczysław Weinberg’s Opera The Passenger: On Memory and Forgetting

Mieczysław Weinberg’s opera, The Passenger, is not only a complicated work of art, but a complicated work of historical trauma. Magda Romanska reviews the work with a brilliant survey that covers the opera, the history, the novel by Zofia Posmysz, the film by Andrzej Munk, and the responses to the production.

NEON
2014 Vol. 6 No. 3 — Fall-Winter / Features / Films

NEON

The Neon signs of the communist era were works of art, even though the product was never in stock. Eric Bednarski celebrates the art and the artists.

A Warsaw Star in Tel Aviv: Fryderyk Járosy at “Li-La-Lo,” 1947-1948
2014 Vol. 6 No. 2 — Summer / Features

A Warsaw Star in Tel Aviv: Fryderyk Járosy at “Li-La-Lo,” 1947-1948

Want an evening at a Polish cabaret? Go with Beth Holmgren. She knows everybody who is anybody – both in Warsaw and Tel Aviv – and will introduce you. Try the “Li-La-Lo” with that charming Hungarian Pole, Fryderyk Járosy, and beautiful Yemenite singer Shoshana Damari.

PHOTO: Lara Szypszak
2014 Vol. 6 No. 1 — Winter-Spring / Features

One Summer as a Gallery Girl in Warsaw

Lara Szypszak, who got to know Lublin by studying there, got to know Warsaw by working there, at the Zachęta National Gallery of Art where the staff adopted her and introduced her to their extended family of galleries, performers and offbeat places to eat, party, or just sit around and talk.

Sex and Gender, Tolerance and Fear: A Conversation
2014 Vol. 6 No. 1 — Winter-Spring / Interviews

Sex and Gender, Tolerance and Fear: A Conversation

Justine Jablonska talks to University of Warsaw sexologist Dr. Zbigniew Izdebski about changing attitudes to sex and gender igniting a bizarre reaction in some circles to a foreign word they don’t understand.

Salon Poezji
2013 Vol. 5 No. 3 — Fall / Poetry

Salon Poezji

New York Times columnist David Orr once noted that while it’s impossible to know which country has the best writers, let alone the best poets… if cash money were on the line, you’d find few critics willing to bet against Poland. Now, the world’s best celebrate Polish American poets.

Elegant Prewar Poland, Evoked by New Fonts from Graphic Artist Brendan Ciecko
2013 Vol. 5 No. 1 — Spring / Features

Elegant Prewar Poland, Evoked by New Fonts from Graphic Artist Brendan Ciecko

During his brief stays in Warsaw and Kraków, American artist Brendan Ciecko came across interwar Polish typography – and that led him to discover the elegance and beauty of pre-WWII Poland. We can hardly wait for him to make these typefaces available to us.

Agnieszka Holland’s In Darkness – A Promise Fulfilled
2011 Vol. 3 No. 3 — Fall / Films

Agnieszka Holland’s In Darkness – A Promise Fulfilled

Agnieszka Holland’s latest film is dedicated to Marek Edleman, the legendary leader of the Warsaw Ghetto Uprising and evokes passages of his book: “And there was love, too, in the ghetto…”

Polish Movie Nite presents Susannah Magers & In The Name of Their Mothers
2011 Vol. 3 No. 3 — Fall / Films

Polish Movie Nite presents Susannah Magers & In The Name of Their Mothers

Polish Movie Nite: Polish cinema, viewed and reviewed by Americans, leads them to a better understanding of “the complexities of contemporary Poland.”

Elegance, Minimalism, Flesh: CR loves Paweł Skurski
2010 Vol. 2 No. 2 — Summer / Features

Elegance, Minimalism, Flesh: CR loves Paweł Skurski

The artist’s work reveals “A fascination with woman and with questions about her nature and magnetism…”

Reconciling Past and Present in the Shadow of the Palace of Culture
2010 Vol. 2 No.1 — Spring / Features

Reconciling Past and Present in the Shadow of the Palace of Culture

Is there a parallel between Warsaw’s Soviet-built Palace and Poles’ relationship with their past?