2015 Vol. 7 No. 3 — Fall / Books
Ethnic and religious diversity are now hot topics, something never tried before. Really? The Commonwealth warrants new attention. Thaddeus Gromada provides an introduction.
2015 Vol. 7 No. 3 — Fall / Features
Only Beth Holmgren can distill a history of an archive, an ethnic neighborhood, Poland and its not-so-faithful allies, and the Polish diaspora including pro bono architects, a credit union, and great food with so much information, affection and élan. And “sto lat” to the Institute’s director, Dr. Iwona Korga.
2014 Vol. 6 No. 3 — Fall-Winter / Interviews
Growing up in “a port of entry neighborhood,” Stuart Dybek added magic to realism in the divide between “American reality and immigrant soul.”
2013 Vol. 5 No. 3 — Fall / Features
by CR × on November 14, 2013 at 6:40 am ×
Meet the “Polanders” of California who celebrated their 150th anniversary.
2013 Vol. 5 No. 1 — Spring / Features
Mazowsze is arguably the most beautiful folk dance troupe in the world. Maja Trochimczyk poses the question: Does authenticity matter?
2013 Vol. 5 No. 1 — Spring / Books
Michał Kasprzak’s brilliant review cuts to the essence of The Auschwitz Volunteer.
2013 Vol. 5 No. 1 — Spring / Books
When the ideology is stripped away, say reviewer Joanna Szupinska about Wiesław Myśliwski’s Stone Upon Stone, all that is left is love for life and respect for the earth. Could one ask for anything more?
2013 Vol. 5 No. 1 — Spring / Books
In this review of Aga Maksimowska’s Giant, Andrew Borkowski, whose Copernicus Avenue won the 2012 Toronto Book Award, may well be giving us a glimpse of next year’s winner.
2012 vol. 4 no. 1 — Spring / Interviews
In a conversation with Justine Jablonska, the multi-talented actor/writer/director speaks of the honor and responsibility of playing Witold Pilecki, a hero whose story could not be suppressed.
2012 vol. 4 no. 1 — Spring / Films
Polish cinema, viewed and reviewed by Americans, leads them to a better understanding of “the complexities of contemporary Poland.”
2012 vol. 4 no. 1 — Spring / Films
Polish cinema, viewed and reviewed by Americans, leads them to a better understanding of “the complexities of contemporary Poland.”
2011 Vol. 3 No. 4 — Winter / Films / Interviews
The director of In Darkness speaks about films, music, identity, and the challenge of making a complex story simple, but not simplistic.
2011 Vol. 3 No. 4 — Winter / Features
Polish Happy Hour in DC has a community-building aspect to it but it’s an event without speeches. Co-founder Marcin Zmudzki, who also started the Polish Global Village mailing list, stresses the spontaneity and inclusiveness. Justine Jablonska attended on assignment – but is going back for the sheer pleasure of it.