Features
San Francisco prides itself on its counter-culture culture but few of its citizens know that they caved in to verbal gentrification when its bourgeoisie banned “Frisco.” Stuffed shirts be damned, say Lynn Ludlow and Maureen Mroczek Morris (aka LL & MMM). Bring back “the jolly synonym for the non-Victorian pleasures of the Barbary Coast.”
2014 Vol. 6 No. 2 — Summer / Books / Interviews
Whether Empress Catherine was “Great” or not is debatable, but she was definitely pragmatic, as are all imperial rulers. Justine Jablonska talks to Eva Stachniak about her latest book and how she chooses her subjects.
2014 Vol. 6 No. 1 — Winter-Spring
by CR × on March 30, 2014 at 7:10 am ×
The storks – that quintessential symbol of spring in Poland – were photographed in Szczebrzeszyn in the springtime by CR’s favorite photographer, Sławomir Nowosad.
2014 is a year of anniversaries in Poland commemorating a hard-won success, a tragic historical event, and another paying homage to a man with a special significance in Polish history.
2014 Vol. 6 No. 1 — Winter-Spring / Features
On March 23, Poles celebrate Polish-Hungarian Friendship Day, while Hungarians celebrate Hungarian-Polish Friendship Day. Stephen Drapaka writes about this unique six century bond.
2014 Vol. 6 No. 1 — Winter-Spring / Features
Her monumental sculptures sometimes resemble fractured bedrock on the surface of the earth, but she can also craft cedar to resemble handmade lace. Agnieszka Tworek profiles the artist, and her work.
2014 Vol. 6 No. 1 — Winter-Spring / Films
Paweł Pawlikowski’s starkly beautiful black and white film, Ida, is one of the best of 2013. But reviewer Jodi Greig asks: can aesthetics blind one to the deeper meaning?
2014 Vol. 6 No. 1 — Winter-Spring / Commentary
Solidarity brought around a change of power through compromise and a gradual – non-violent – transition. Anna Mazurkiewicz discusses the greatest compromise of modern time and a great model for our troubled times.
2014 Vol. 6 No. 1 — Winter-Spring / Films
“Masterpieces of Polish Cinema,” organized and restored by Martin Scorsese’s Film Foundation and curated by the great filmmaker himself, is the largest collection of classical Polish cinema to date.
Don Fredericksen reviews Krzysztof Zanussi’s brilliant film, Camouflage.
2014 Vol. 6 No. 1 — Winter-Spring / Features
In this “City of Festivals,” artists, bands, dancers and mimes fill the streets while the small clubs fill with young people who have no intention of going home before sunrise.
2014 Vol. 6 No. 1 — Winter-Spring / Books
Described by Roman Polanski as a troublemaker of immense charm, author Marek Hłasko looked like James Dean… but he was not a rebel without a cause.
2014 Vol. 6 No. 1 — Winter-Spring / Interviews
Justine Jablonska talks to University of Warsaw sexologist Dr. Zbigniew Izdebski about changing attitudes to sex and gender igniting a bizarre reaction in some circles to a foreign word they don’t understand.
2014 Vol. 6 No. 1 — Winter-Spring / Books
A many layered story about the sentimental education of an American student in post-war Europe told with wit, sensitivity and elegance.
2014 Vol. 6 No. 1 — Winter-Spring / Books
(…) Every Turk hovers between tradition and modernity a thousand times a day – the hat or the charshaf [veil]; the mosque or the disco; the European Union or dislike the European Union. Until you can explore this country, writes Katarzyna Zwolak, read Witold Szablowski’s wonderful book.